Zacytuję tutaj fragment ze strony dedykowanej instrumentom serii Triton. Co prawda po angielsku, ale myślę że sobie poradzisz.
The TRITON features a 16 bit linear 48 kHz mono/stereo sampling function that allows data that you sample to be programmed and molded using the advanced HI synthesis system.
The TRITON comes with 16 Mbytes of sample memory, allowing approximately 2 minutes 54 seconds of monaural sampling.
By adding 72 pin SIMM modules* you can expand the memory to a maximum of 96 Mbytes (three 32 Mbyte SIMM modules). This lets you record up 11 minutes and 38 seconds of mono sampling. You can record one-shot samples as well as phrase samples, and use the zero-cross automatic detection function to easily create smooth loops. Stereo or mono AIFF files, Windows WAVE files, AKAI S1000/S3000 (Floppy and CD-ROM) and Trinity format data can also be loaded into sample memory, giving you access to an even wider range of materials.
This data can be edited using operations such as Truncate, Cut, Copy, and Reverse. The grid function lets you view the waveform with dotted vertical lines that indicate the beat resolution and tempo. Sample data can be cut on the basis of BPM values or beats, making it easy to edit the desired locations of the waveform. The Rate Convert function converts the sampling frequency --- an easy way to create currently popular lo-fi sounds.
This data can be played from the keyboard immediately after sampling, or you can use it to create a multisample that assigns multiple samples to different pitch ranges. Mono multisamples are easily converted into single-oscillator programs, and stereo multisamples into double-oscillator programs.
(* User-installable. Use 16 Mbyte or 32 Mbyte 72 pin SIMM modules that are either Fast Page or EDO -compatible, with an access speed of 60 nsec or faster. For details refer to a TRITON dealer near you.)
Jak widać 96 Mb pamięci pozwala na zsamplowanie ponad 11 minutowe próbki, jest to bardzo dużo i śmiało można znaleźć już gotowe brzmienia porządnych fortepianów - bo chyba o te brzmienia głównie Ci chodzi?
W moim Trinity tak właśnie postąpilem i mam świetne fortepiany bez kombinacji czy ingerencji w strukturę instrumentu.